Adobe Premiere Pro CS4 4.0
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THIS ITEM IS DISCONTINUEDLimited Stock May Be Available, | |||||||||||||||||
Please Note: Pricing and availability are subject to change without notice. | ||||
Please Note: Specify WIN or MAC- ***NOT a hybrid***
Will start shipping mid-October 2008. | ||||
Capture, edit, and deliver video online, on air, on disc, or on deviceTell your story with maximum impact using Adobe Premiere Pro CS4 software, the start-to-finish video production solution that includes Adobe OnLocation CS4 and Encore CS4 software.
Broad format supportComprehensive video format compatibility enhanced Work with virtually any video format thanks to native editing support for DV, HDV, Sony XDCAM, XDCAM EX, Panasonic P2, and AVCHD. Add uncompressed SD and HD acquisition with hardware cards from third-party vendors. Support for mixed formats in the timeline Combine content from all supported formats in the Adobe Premiere Pro timeline without restrictions. High-quality scaling and flexible footage interpretation rules make it easy to produce exceptional output from mixed-format footage. Native editing in a tapeless workflow -new Edit content from the most popular tapeless cameras, without time-consuming transcoding or rewrapping. With native editing support for variants of Panasonic P2; Sony XDCAM, XDCAM EX, and XDCAM HD; HDV; and AVCHD, you can start working immediately with the content, in many cases directly from the camera. Native editing means you'll enjoy a faster workflow from capture to edit, while retaining the quality of your source material. Support for all major media types Import and export major video, audio, and graphic file formats, including FLV, F4V, MPEG-2, QuickTime, Windows Media, AVI, BWF, AIFF, JPEG, PNG, PSD, TIFF, and more. Still-image file support Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats. Comprehensive VTR support Control video decks through RS-422 and RS-232 serial protocols or FireWire for precise batch capturing, recapturing, and insert editing. ASIO compatibility Record and play back audio through any multichannel audio card or hardware that supports the industry-standard ASIO protocol (Windows only). Video hardware support Choose from a wide range of capture cards and other hardware to build the HD, SD, or DV editing system that meets your needs and budget. Integration with high-end workflowsAAF project interchange Interchange project file information with other applications in the production workflow. AAF import and export is available on both Mac OS and Windows. You can also import and export CMX3600 format Edit Decision Lists (EDLs). 4K film production Import, edit, and output image sequences with dimensions up to 4,096x4,096 pixels. Feet + Frames timecode Display timecode for 16mm and 35mm film in standard Feet + Frames nomenclature. Delivery virtually anywhereBatch encoding in the background -new Save time by automating the process of creating multiple encoded versions of your content using the new batch encoder. Use any combination of sequences and clips as sources and encode to a wide variety of video formats, including FLV and F4V, Windows Media, MPEG-2, H.264, QuickTime, and more. Maximize your productivity by continuing to work while files encode in the background. FLV/F4V cue points with name/value pairs -new Create FLV/F4V cue points with name/value pairs using markers directly in the Adobe Premiere Pro timeline. Cue points flow directly into Adobe Media Encoder, which offers a comprehensive interface for creating, checking, and adjusting cue point information. These cue points can then be used for further interactive design in Adobe Flash CS4 Professional software. Unified marker dialog box -new Easily control marker attributes. Set Adobe Encore CS4 chapter markers, URL web links, and FLV cue points using a single dialog box that combines all information in one place. Optimized settings workflow for mobile device output -new With Adobe Device Central CS4, get regularly updated information about mobile device capabilities to help you create high-quality video output for playback just about anywhere. Use Device Central CS4 to find the encoding preset for Adobe Media Encoder that best matches your chosen target devices. DVD authoring -enhanced Create high-quality DVD titles using Adobe Encore CS4 software, included with Adobe Premiere Pro CS4. Create a compelling viewer experience with interactive menus and slide shows, and help ensure disc quality with integrated transcoding of your content. Industry-leading Blu-ray Disc authoring -new Maintain the pristine quality of your HD video all the way to distribution. Create high-definition Blu-ray discs with Encore CS4, working with the same interface used to create standard-definition DVDs and incorporating advanced Blu-ray features like pop-up menus and subtitles, and dual layer burning. Delivery to multiple formats from a single project file With one click, easily create SWF versions of your DVD and Blu-ray Disc projects for the web. Use Encore CS4 to create content compatible with the Adobe Flash Player runtime, complete with DVD interactivity and menus, without opening another application. Choose from a variety of templates, or customize the viewing experience to meet your or your clients' needs. Video delivery for interactive viewing Easily incorporate video into Flash CS4 Professional projects as you create immersive experiences for the web. Timeline markers are embedded as cue points when FLV files are exported from Adobe Premiere Pro CS4, streamlining the process of creating interactive and navigational triggers. Interactive authoring to multiple formats Reach more audiences quickly. Use Encore CS4 to author interactive titles, and then publish them to multiple delivery formats — Blu-ray Disc, DVD, and SWF for playback through Adobe Flash Player — with a single click. Mobile device output -enhanced Optimize your video for viewing on the latest delivery platforms. Use Device Central CS4 to find the best settings for encoding as well as information about device capabilities. Use batch encoding in Adobe Media Encoder to create multiple files for multiple devices, and then use Device Central to simulate playback on those devices to check video quality. Stay up to date with frequent, downloadable device profile updates. Web video delivery Make your project web ready. In addition to delivering in FLV format, choose from comprehensive compression tools for Internet-friendly file formats including Real, Windows Media, and QuickTime. Sequence editing for film out Support for frame sizes up to 4,096x4,096 pixels, and for major image and sequence file formats (including AI, PSD, TGA, TIFF, and BMP), makes Adobe Premiere Pro CS4 the ideal tool for editing and preparing sequences for output to 35mm and other film formats. Work with efficient post-production tools Focus on telling your story with powerful, flexible editing tools that help save you time. Exploit the potential of tapeless workflows to achieve new levels of efficiency. Tools to work fast Sleek new application appearance -new Work with a new user interface that is easier on the eyes. Adobe Premiere Pro has an updated look that can be made darker and is designed to be easier to work with for longer periods. Customizable user interface Adjust the Adobe Premiere Pro CS4 interface to fit almost any editing style, workflow, or environment. Configure the interface in many arrangements and across multiple monitors, and save configurations as workspaces for instant recall. Use the docked interface to adjust the size of all windows simultaneously. Multiple Project panels Display assets in multiple Project panels, each with its own graphical or text view setting. With control over metadata views within the Project panels, organizing and viewing your assets is fast and efficient. In-line search for assets Find assets within the Project panel quickly using a search field that updates as you type. Search on individual metadata fields or across them all to display groups of similar items. Project Manager Easily archive media, reclaim drive space, and move between offline and online environments. Consolidate projects by selecting and moving actual media used in a project to a single location for archiving and storage management. File management with Adobe Bridge CS4 Use Adobe Bridge CS4 to search for and access your project files, preview and apply settings, run batch processes, and tag assets with XMP metadata. Customizable keyboard shortcuts Personalize your editing system by creating multiple keyboard maps for different tasks or to support multiple users. By exporting your own shortcut sets, you can be productive immediately when working with Adobe Premiere Pro on other systems. Scrolling timeline Set the timeline to scroll smoothly under a stationary indicator during playback, or adjust it to advance one page as the playback indicator reaches the edge of the window. Assignable panel shortcuts Switch between panels using keyboard shortcuts to save time and mouse fatigue. Multiple nestable timelines Manage large projects more easily by editing each section in its own timeline. Nest each timeline section into a master timeline while maintaining full access to every edit. Real-time editing Play through most common transitions and effects without waiting to render. For even higher real-time performance, add hardware from a variety of third parties. Advanced subclip creation and editing Break master clips into smaller subclips for more flexible editing, especially when working with large sections of content. Treat subclips like any other video clip by trimming, applying effects, renaming, and more. Ripple, rolling, and slip-and-slide edits Make complex edits in one step using the advanced editing tools professionals depend on. Trim and adjust footage with single actions that would otherwise require multiple steps. Clip replacing Easily swap out clips in the timeline without having to re-create settings. Replace any clip in the timeline with a new clip that preserves the original clip's attributes. All effects and keyframes are retained, and, if necessary, the new clip is trimmed to fit the duration of the original one. Powerful management of projects, sequences, and clipsRapidFind search -enhanced Type what you're looking for into the RapidFind search box and see results instantly update as you type. RapidFind is available in the Effects, Project, and Metadata panels and makes finding matching content fast and efficient. In the Project panel, search on individual data fields or all metadata. Media locations saved in project -new Manage projects more efficiently. File location preferences are saved on a per-project basis, making it easy to set up partitions for particular projects. Footage replacement -new Update assets in your project quickly as newer versions become available by replacing files in the Project panel. When you replace assets, all clip instances that reference that media update automatically. Individual sequence import -new Combine content from multiple projects more easily with the ability to import sequences from other projects. Choose any combination of sequences to import. In Adobe Premiere Pro, nested sequences are included, helping to ensure that all content is imported successfully. Workspace changes saved per project -new Pick up projects where you left them without having to adjust the user interface. The workspace configuration is saved with each project, making it easier to work efficiently. Individual sequence trimming in the Project Manager -new Avoid trimming redundant content in the Project Manager with the ability to select any combination of sequences for trimming. Per-sequence settings -new Mix content even more freely in your project with different editing and rendering settings for each sequence. Manage your assets more easily by collecting all sequences into a single project, and create multiple versions from HD masters quickly using nested sequences of different settings. Project panel column information in workspaces -new Create workspace configurations using Project panel column configurations that are optimized for the task at hand. For example, set up different columns for logging versus editing. Deletion of individual preview files- new Keep the preview files you need and discard the ones you don't. Reclaim disk space easily with the ability to delete individual preview files. Archival of trimmed clips using the Project Manager -new Archive projects more efficiently. Use the Project Manager to include offline clips in trimmed projects with lower storage requirements. Precise audio controlVertical waveform zoom in the Source Monitor -new View audio waveforms in more detail in the Source Monitor. Zoom both channels independently or together. Direct scrubbing on Source Monitor waveforms -new Navigate with precision within the Source Monitor when working with audio-only clips. Use the playhead to scrub the waveform directly. Flexible audio channel mapping control for offline clips -new Set and adjust audio channel mapping for offline clips at any time, when they are created or later. This makes it easy to change batch capture behavior. Recapture of A/V offline clips as audio-only or video-only -new Change recapture settings for offline clips without having to recapture them first. Exceptional editing controlTrack Sync Lock controls -new Choose which tracks remain in sync after ripple and insert edits. Source content control -new Display source content of clips and route channels to specific destination tracks in the timeline. Toggle video or audio channels on or off as needed. Multitrack targeting -new Place clips exactly where you want them when dragging to the timeline. Innovative ways to target audio and video tracks provide multiple ways to control clip placement, saving time and preserving the placement of other clips in the timeline. Drag-and-drop track targeting -new Precise placement of clips while dragging allows the video or audio-only portions of a linked clip to be dropped onto any combination of compatible destination tracks. Timesaving editing enhancementsFaster clip pasting -new Save time when pasting multiple clips into the timeline. The playhead jumps to the end of a pasted clip so that subsequent pasted clips are placed directly after it. Subclip creation from the timeline -new Create new subclips quickly and easily. Simply drag content directly from the timeline to the Project panel. Keyframe snapping in the Effect Controls panel -new Place keyframes precisely within the Effect Controls panel. As you move them, keyframes snap to sequence markers, the playhead, clip edges, and other video or audio keyframes. This makes it simple to align new keyframes with existing ones. Vertical snapping in the timeline -new Use vertical snapping to keep clips in sync when moving them between tracks. Copy and paste of transitions -new Easily apply the same transition to multiple items in your project using copy and paste. Adobe Premiere Pro CS4 applies all transition information while maintaining destination attributes like transition duration. Previous zoom level shortcut -new Use smart zoom features in the timeline to switch quickly between detailed and global views of your content. With one key press, zoom the timeline to show the entire contents of your sequence. The next key press returns you to the previous zoom level. Remove All Effects command -new Quickly clear all effects from one or multiple selected clips using a single command. More options with multiple selectionsMultiple effects in presets -new Create commonly used combinations of effects and save them in a single preset for easy reuse. Effects for multiple clips -new Save time with the ability to apply effects to multiple clips in a single action. Speed/duration adjustment for multiple clips -new Make speed/duration adjustments to multiple clips simultaneously, saving significant time when working with large numbers of clips. Default transition for multiple clips -new Save time when using transitions by applying the default transition to multiple selected clips with a single command. Audio Gain settings for multiple clips -new Apply Audio Gain settings to multiple selected clips in a single action, rather than adjusting the settings for each item. Robust timecode displayLive timecode information fields -new Drag items in the timeline into place with timecode accuracy. See up-to-date timecode information in the Info panel as you drag clips. Timecode display setting for each sequence -new Choose the appropriate timecode display mode for each separate sequence in your project. All timecode formats available to display -new Use any supported timecode format as the timecode display mode in the Timeline panel, Info panel, and timecode controls. Tape name display in the Info panel -new View source tape information for clips in the timeline using the Info panel. Keyboard-driven workflowKeyboard-driven Source Monitor browsing -new Use keyboard shortcuts to browse through clips that are loaded in the Source Monitor tab. Home/end shortcuts in the Effect Controls panel -new Save time when moving to the start and end of clips in the Effect Controls panel by using keyboard shortcuts. Shortcut to jump to the head/tail of a clip -new Jump to the start and end of clips in the timeline using dedicated shortcuts that make clip navigation easier. Mark Clip shortcut -new Mark clips more quickly using an assignable keyboard shortcut. Comprehensive interface navigation for keyboard users -new Use keyboard shortcuts to cycle forward and backward through all the panels in the Adobe Premiere Pro CS4 user interface. Navigate quickly through the application without using the mouse. Tapeless workflow efficiencyMedia Browser panel for efficient tapeless workflows -new Embrace new tapeless workflows with Adobe Premiere Pro CS4. The new Media Browser panel shows the contents of all mounted volumes on your system. Finding content on tapeless cameras is easy because the media browser shows you the clips, with no extraneous files, along with a customizable view of the metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel. Panasonic P2 import with browsing and metadata support -new Enjoy support for native editing of content from Panasonic P2 cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards. View camera metadata and organize files in the media browser before importing and editing the content without transcoding or rewrapping. Edit directly from the P2 card via the camera or a card reader, or use the media browser to transfer content to hard disk for better performance. Panasonic P2 export Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving. Sony XDCAM and XDCAM EX import with browsing and metadata support -new Import and edit content from Sony XDCAM EX cameras directly, without rewrapping or transcoding. Browse clips using the media browser and organize them using camera metadata. Edit directly from the SxS card via the camera or a card reader (XDCAM EX only), or use the media browser to transfer the content to hard disk for better performance. Tapeless HDV import with browsing and metadata support -new Edit content natively from Sony HDV cameras that record directly to removable media. Use the media browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping. AVCHD editing with browsing and metadata support -new Import and edit AVCHD content from Sony, Panasonic, and Canon cameras without waiting. Native editing means you can start editing content immediately without transcoding or rewrapping the content. Use the media browser to browse clips and view metadata. End-to-end metadata workflow efficiencyMetadata views in the Project panel -new Get immediate access to the metadata that is important to your production. Customize and save the way XMP metadata is displayed in the Project panel, with control over individual fields and the ability to import custom metadata schemas. Metadata panel-new View and edit metadata for selected items using the Metadata panel. Control the display of individual fields, add custom XMP schemas, and save configurations for later use. Use RapidFind to find metadata quickly, and view speech-to-text information for selected clips. Apply metadata changes to multiple selected files in a single action. Automatic transcription generation with speech-to-text analysis -new Gain a better understanding of the contents of your assets. Generate transcripts automatically using built-in speech-to-text analysis. Adobe Premiere Pro uses separate dictionaries for multiple languages to help ensure accuracy. Make corrections to transcripts by editing directly in the Metadata panel. Transcription information is saved as XMP metadata and can be used for many purposes in the editing workflow. Speech Search within assets -new Find specific points in your content quickly by searching dialogue in the Metadata panel. Use RapidFind to search quickly for individual words or phrases, and then select the word to move the playhead to the right location. Speech Search for finding assets -new Find the right assets more quickly than ever by searching inside the dialogue information that Adobe Premiere Pro can generate for each clip. RapidFind filters the contents of the project window based on what you type, making it easy to narrow down a large amount of content. Keyboard-driven logging in the Project panel -new Enter metadata for clips quickly and efficiently using keyboard-driven navigation in the Project panel. Move between data fields using shortcuts that are similar to those in popular spreadsheet applications. With fully customizable views of column data, this feature makes clip logging extremely fast. Tighter-than-ever integration with other Adobe softwareFlexible Adobe Photoshop layer options-new Control how Photoshop files look when imported into Adobe Premiere Pro. Preview all layers, choose which layers to import, and then choose how to import the layers — as individual layers, merged, or as a sequence. Support for Photoshop files with video -new Avoid the rendering step from Adobe Photoshop software when importing Photoshop files that contain video. Simply import the files and use them just like any other video clip in the timeline. Support for Photoshop blend modes -new Match your favorite looks from Photoshop CS4 by applying blend modes to clips on the Adobe Premiere Pro timeline. When you import Photoshop files, blend modes are automatically carried over into Adobe Premiere Pro and are fully keyframeable. Dynamic Link integration between Adobe Premiere Pro CS4 and Encore CS4 -new Send sequences directly from Adobe Premiere Pro CS4 to Encore CS4 without rendering first. Adobe Dynamic Link enables sequences to open "live" in Encore, with any changes made in Adobe Premiere Pro automatically reflected. Encore also reads chapter markers from the sequence, making it easy to set chapters in Adobe Premiere Pro, see those chapters in Encore, and then update to the latest list with a single click. Group clip transfer to Adobe After Effects CS4 -new Transfer groups of edited clips for motion graphics work in Adobe After Effects CS4 software using a single command. Adobe Premiere Pro CS4 re-creates the structure of your clips in an After Effects composition, and then imports the composition into the timeline using Dynamic Link. From there, changes made in After Effects are shown automatically in Adobe Premiere Pro, enabling you to experiment with your motion graphics without having to render. Adobe After Effects CS4 integration -enhanced Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro CS4 and After Effects CS4. Open complete Adobe Premiere Pro projects, including nested sequences, in After Effects. Adobe Photoshop CS4 Extended integration -enhanced Save time when using Photoshop files with direct import of video layers. Import and animate individual Photoshop layers, and retain the same blending modes to maintain consistency and control. Edit still images from Adobe Premiere Pro CS4 with Photoshop CS4 Extended software, and automatically create Photoshop PSD files to match the current project's frame size and aspect ratio. Direct-to-disk recording with included Adobe OnLocation CS4 -enhanced Save tape and time by eliminating capture from your production process. Record SD and HD video directly to hard disk using Adobe OnLocation CS4 software, included with Adobe Premiere Pro CS4, and log metadata while shooting. Transfer content directly to Adobe Premiere Pro for editing, maintaining all metadata and clip information. After Effects CS4 plug-in compatibility Take advantage of After Effects plug-ins to expand your effects options. Most After Effects CS4 plug-ins are compatible with Adobe Premiere Pro CS4. Adobe Illustrator CS4 integration Open Adobe Illustrator files in Adobe Premiere Pro CS4. When you scale an image in Adobe Premiere Pro, the image is continuously rasterized, so image quality remains pristine. Adobe Soundbooth CS4 integration -enhanced Send audio files directly to Adobe Soundbooth software for editing, and then see your changes against picture immediately in the Adobe Premiere Pro CS4 timeline. Instant updating makes it easy to achieve the right effect. Text copy and paste between Adobe Creative Suite components -new Achieve the same look for text in multiple deliverable formats. Exchange text via copy and paste between other Adobe Creative Suite components and the Adobe Premiere Pro titler. The text retains all supported formatting, including fonts, spacing, and styles. Achieve creative excellence Achieve your vision with professional color correction, quick and precise multicam editing, and much more — all from within a familiar, customizable interface. System requirements
Microsoft Windows XP with Service Pack 2 (Service Pack 3 recommended) or Windows Vista Home Premium, Business, Ultimate, or Enterprise with Service Pack 1 (certified for 32-bit Windows XP and 32-bit and 64-bit Windows Vista) 2GB of RAM 10GB of available hard-disk space for installation; additional free space required during installation (cannot install on flash-based storage devices) 1,280x900 display with OpenGL 2.0–compatible graphics card Dedicated 7200 RPM hard drive for DV and HDV editing; striped disk array storage (RAID 0) for HD; SCSI disk subsystem preferred For SD/HD workflows, an Adobe-certified card for capture and export to tape OHCI-compatible IEEE 1394 port for DV and HDV capture, export to tape, and transmit to DV device DVD-ROM drive (DVD+-R burner required for DVD creation) Blu-ray burner required for Blu-ray disc creation Microsoft Windows Driver Model– or ASIO-compatible sound card QuickTime 7.4.5 software required to use QuickTime features Broadband Internet connection required for online services†
Mac OS X v10.4.11–10.5.4 2GB of RAM 10GB of available hard-disk space for installation; additional hard-disk space required during installation (cannot install on a volume that uses a case-sensitive file system or on flash-based storage devices) 1,280x900 display with OpenGL 2.0–compatible graphics card Dedicated 7200 RPM hard drive for DV and HDV editing; striped disk array storage (RAID 0) for HD; SCSI disk subsystem preferred DVD-ROM drive (SuperDrive for DVD burning) Blu-ray burner required for Blu-ray disc creation Core Audio–compatible sound card QuickTime 7.4.5 software required to use QuickTime features Broadband Internet connection required for online services† *SSE2-enabled processor required for AMD systems †This product may allow you to access certain features that are hosted online ("online services"), provided you have a high-speed Internet connection. The online services, and some features thereof, may not be available in all countries, languages, and/or currencies and may be discontinued in whole or in part without notice. Use of the online services is governed by separate terms of use and by the Adobe Online Privacy Policy, and access to these services may require user registration. Some online services, including services that are initially offered at no charge, may be subject to additional fees. For more details and to review the terms of use and Online Privacy Policy, visit www.adobe.com. | ||||
